Contemporary high contrast serif family characterized by extremely sharp & pointy details. The type family ranges from Light to Black with corresponding italics. A unique texture, large lowercase proportions, and compact spacing make this inviting typeface perform well in titles, headlines, or shorter paragraphs of text in bigger sizes.
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
Light —
35 px
Wernicke's area receives information from the auditory cortex, and functions to assign word meanings. This is why damage to this area results in meaningless speech, often with paraphasic errors and newly created words or expressions. Paraphasia can involve substituting one word for another, known as semantic paraphasia, or substituting one sound or syllable for another, defined as phonemic paraphasia. This speech is often referred to as “word salad,” as speech sounds fluent but does not have sensible meaning. Normal sentence structure and prosody are preserved, with normal intonation, inflection, rate, and rhythm. This differs from Broca's aphasia, which is characterized by nonfluency.
Punta Light Italic
Light Italic — 300px
Uninfluenced
Light Italic —
90px
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
Light Italic —
35 px
Wernicke's area receives information from the auditory cortex, and functions to assign word meanings. This is why damage to this area results in meaningless speech, often with paraphasic errors and newly created words or expressions. Paraphasia can involve substituting one word for another, known as semantic paraphasia, or substituting one sound or syllable for another, defined as phonemic paraphasia. This speech is often referred to as “word salad,” as speech sounds fluent but does not have sensible meaning. Normal sentence structure and prosody are preserved, with normal intonation, inflection, rate, and rhythm. This differs from Broca's aphasia, which is characterized by nonfluency.
Punta Regular
Regular — 300px
Transcription
Regular —
90px
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
Regular —
35 px
Wernicke's area receives information from the auditory cortex, and functions to assign word meanings. This is why damage to this area results in meaningless speech, often with paraphasic errors and newly created words or expressions. Paraphasia can involve substituting one word for another, known as semantic paraphasia, or substituting one sound or syllable for another, defined as phonemic paraphasia. This speech is often referred to as “word salad,” as speech sounds fluent but does not have sensible meaning. Normal sentence structure and prosody are preserved, with normal intonation, inflection, rate, and rhythm. This differs from Broca's aphasia, which is characterized by nonfluency.
Punta Italic
Regular Italic — 300px
Relinquishing
Regular Italic —
90px
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
Regular Italic —
35 px
Wernicke's area receives information from the auditory cortex, and functions to assign word meanings. This is why damage to this area results in meaningless speech, often with paraphasic errors and newly created words or expressions. Paraphasia can involve substituting one word for another, known as semantic paraphasia, or substituting one sound or syllable for another, defined as phonemic paraphasia. This speech is often referred to as “word salad,” as speech sounds fluent but does not have sensible meaning. Normal sentence structure and prosody are preserved, with normal intonation, inflection, rate, and rhythm. This differs from Broca's aphasia, which is characterized by nonfluency.
Punta Medium
Medium — 300px
Questioningly
Medium —
90px
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
Medium —
35 px
Wernicke's area receives information from the auditory cortex, and functions to assign word meanings. This is why damage to this area results in meaningless speech, often with paraphasic errors and newly created words or expressions. Paraphasia can involve substituting one word for another, known as semantic paraphasia, or substituting one sound or syllable for another, defined as phonemic paraphasia. This speech is often referred to as “word salad,” as speech sounds fluent but does not have sensible meaning. Normal sentence structure and prosody are preserved, with normal intonation, inflection, rate, and rhythm. This differs from Broca's aphasia, which is characterized by nonfluency.
Punta Medium Italic
Medium Italic — 300px
Governmental
Medium Italic —
90px
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
Medium Italic —
35 px
Wernicke's area receives information from the auditory cortex, and functions to assign word meanings. This is why damage to this area results in meaningless speech, often with paraphasic errors and newly created words or expressions. Paraphasia can involve substituting one word for another, known as semantic paraphasia, or substituting one sound or syllable for another, defined as phonemic paraphasia. This speech is often referred to as “word salad,” as speech sounds fluent but does not have sensible meaning. Normal sentence structure and prosody are preserved, with normal intonation, inflection, rate, and rhythm. This differs from Broca's aphasia, which is characterized by nonfluency.
Punta Bold
Bold — 300px
Unimaginable
Bold —
90px
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
Bold —
35 px
Wernicke's area receives information from the auditory cortex, and functions to assign word meanings. This is why damage to this area results in meaningless speech, often with paraphasic errors and newly created words or expressions. Paraphasia can involve substituting one word for another, known as semantic paraphasia, or substituting one sound or syllable for another, defined as phonemic paraphasia. This speech is often referred to as “word salad,” as speech sounds fluent but does not have sensible meaning. Normal sentence structure and prosody are preserved, with normal intonation, inflection, rate, and rhythm. This differs from Broca's aphasia, which is characterized by nonfluency.
Punta Bold Italic
Bold Italic — 300px
Expostulation
Bold Italic —
90px
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
Bold Italic —
35 px
Wernicke's area receives information from the auditory cortex, and functions to assign word meanings. This is why damage to this area results in meaningless speech, often with paraphasic errors and newly created words or expressions. Paraphasia can involve substituting one word for another, known as semantic paraphasia, or substituting one sound or syllable for another, defined as phonemic paraphasia. This speech is often referred to as “word salad,” as speech sounds fluent but does not have sensible meaning. Normal sentence structure and prosody are preserved, with normal intonation, inflection, rate, and rhythm. This differs from Broca's aphasia, which is characterized by nonfluency.
Punta Black
Black — 300px
Disconcerting
Black —
90px
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
Black —
35 px
Wernicke's area receives information from the auditory cortex, and functions to assign word meanings. This is why damage to this area results in meaningless speech, often with paraphasic errors and newly created words or expressions. Paraphasia can involve substituting one word for another, known as semantic paraphasia, or substituting one sound or syllable for another, defined as phonemic paraphasia. This speech is often referred to as “word salad,” as speech sounds fluent but does not have sensible meaning. Normal sentence structure and prosody are preserved, with normal intonation, inflection, rate, and rhythm. This differs from Broca's aphasia, which is characterized by nonfluency.
Punta Black Italic
Black Italic — 300px
Sensuousness
Black Italic —
90px
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
Black Italic —
35 px
Wernicke's area receives information from the auditory cortex, and functions to assign word meanings. This is why damage to this area results in meaningless speech, often with paraphasic errors and newly created words or expressions. Paraphasia can involve substituting one word for another, known as semantic paraphasia, or substituting one sound or syllable for another, defined as phonemic paraphasia. This speech is often referred to as “word salad,” as speech sounds fluent but does not have sensible meaning. Normal sentence structure and prosody are preserved, with normal intonation, inflection, rate, and rhythm. This differs from Broca's aphasia, which is characterized by nonfluency.
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Packages
Punta complete family
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€700.00
€490.00
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Single styles
Punta Light
€70.00 Add to CartAdded
Punta Light Italic
€70.00 Add to CartAdded
Punta Regular
€70.00 Add to CartAdded
Punta Regular Italic
€70.00 Add to CartAdded
Punta Medium
€70.00 Add to CartAdded
Punta Medium Italic
€70.00 Add to CartAdded
Punta Bold
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Punta Bold Italic
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Punta Black
€70.00 Add to CartAdded
Punta Black Italic
€70.00 Add to CartAdded
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Contemporary high contrast serif family characterized by extremely sharp & pointy details. The type family ranges from Light to Black with corresponding italics. A unique texture, large lowercase proportions, and compact spacing make this inviting typeface perform well in titles, headlines, or shorter paragraphs of text in bigger sizes.
PDF Specimen
The PDF contains information, specimens of the type including further settings of more languages, features, character sets, all in one document. If you’re a bit old school you can even print it.
Download it here.
Design notes
Already during his lifetime in the mid-16th century, Garamont’s work influenced other styles and was even redesigned or customised for the needs of specific printers. One such example are the typefaces of Hendrik van der Keere, who worked for Christophe Plantin in Antwerp. Usually, van der Keere would shorten ascenders and descenders as well as adjust several other details in the typeface, but these were still evidently Garamont’s designs. Therefore, the centre of gravity for type design later shifted away from France, the place of its origination, towards the Netherlands, where, throughout the 17th century, printers and typefounders would be setting out to refresh and hone the Garalde model.
The initial seeds for the design of Punta were planted in the Netherlands as well, back in 2014, while studying at Type and Media. Working on a revival of Claude Garamont’s Saint Augustin Roman, a 12-point metal type cut from around 1556, opened up new possibilities for the interpretation of original shapes. The revival typeface, dubbed Etienne, is a fairly true-to-the-source interpretation in terms of weight and proportion. From the get-go, it was intended to even enhance the legibility for today’s users.
On the other hand, there were so many sources collected during the process—particularly numerous photographs of original punches cut by Garamont himself. The visual collection of experiences working in both analogue and digital crafts, from hand lettering and stone carving to drawing precise vectors, was instructive for the early design decisions. Punta is a product of impression rather than interpretation.
Punta is a contemporary high contrast serif family characterized by extremely pointy details. It’s an interpretation of the famous Garalde genre, with the main focus on big sizes. Although its appearance is rough at first, all the curves are delicately drawn and preserve the warmth of the broad nib pen writing. Punta’s upright styles showcase clear references that are elegant and confident, with pointedly chiselled serifs (a, c, r), pinched stroke endings, and a dramatic curve tension. On the other hand, the italics do not build on any historical model. Instead, they introduce a rational simplicity, making room for more flamboyant letters to stand out (f, g, y), and feature some unexpected details (k, x) to spice things up. The italics are designed to take a punt at being a true companion to the Romans, a concept still not in existence during Garamont’s life.
The type family ranges from Light to Black with corresponding italics. A unique texture, large lowercase proportions, and compact spacing make this typeface perform well in titles, headlines, or shorter paragraphs of text in bigger sizes, really hitting it out of the park. To top things off, in 2019, Punta Display was awarded the Certificate of Typographic Excellence by the Type Directors Club in New York.
Many thanks to all my former Type and Media teachers for passing on their knowledge and experience. Special thanks to Françoise Berserik and Paul van der Laan under whose guidance I started what would later become this project.