Exat

21 Styles
€70.00 Single style / €1,470.00 Complete
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Concept

Inspired by EXAT 51’s artistic and architectural endeavors, this typeface features clean lines and structural clarity. The Exat typeface captures the very essence of modernist ideas, striking a harmonious balance between form and function. Exat is inarguably our most ambitious release yet, offering the user total control in choosing the right type—fit for any situation. Visit Exat microsite for full experience.

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Packages

Exat Complete Family
50% OFF €1,470.00 €735.00
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Exat Condensed
30% OFF €490.00 €343.00
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Exat
30% OFF €490.00 €343.00
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Exat Wide
30% OFF €490.00 €343.00
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Exat CYR Complete Family
50% OFF €1,890.00 €945.00
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Exat CYR Condensed
30% OFF €630.00 €441.00
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Exat CYR
30% OFF €630.00 €441.00
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Exat CYR Wide
30% OFF €630.00 €441.00
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Single styles

Exat Condensed Extra Light
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Exat Condensed Light
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Exat Condensed Regular
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Exat Condensed Medium
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Exat Condensed Bold
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Exat Condensed Extra Bold
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Exat Condensed Black
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Exat Extra Light
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Exat Light
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Exat Regular
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Exat Medium
€70.00 Add to Cart Added
Exat Bold
€70.00 Add to Cart Added
Exat Extra Bold
€70.00 Add to Cart Added
Exat Black
€70.00 Add to Cart Added
Exat Wide Extra Light
€70.00 Add to Cart Added
Exat Wide Light
€70.00 Add to Cart Added
Exat Wide Regular
€70.00 Add to Cart Added
Exat Wide Medium
€70.00 Add to Cart Added
Exat Wide Bold
€70.00 Add to Cart Added
Exat Wide Extra Bold
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Exat Wide Black
€70.00 Add to Cart Added
Exat CYR Condensed Extra Light
€90.00 Add to Cart Added
Exat CYR Condensed Light
€90.00 Add to Cart Added
Exat CYR Condensed Regular
€90.00 Add to Cart Added
Exat CYR Condensed Medium
€90.00 Add to Cart Added
Exat CYR Condensed Bold
€90.00 Add to Cart Added
Exat CYR Condensed Extra Bold
€90.00 Add to Cart Added
Exat CYR Condensed Black
€90.00 Add to Cart Added
Exat CYR Extra Light
€90.00 Add to Cart Added
Exat CYR Light
€90.00 Add to Cart Added
Exat CYR Regular
€90.00 Add to Cart Added
Exat CYR Medium
€90.00 Add to Cart Added
Exat CYR Bold
€90.00 Add to Cart Added
Exat CYR Extra Bold
€90.00 Add to Cart Added
Exat CYR Black
€90.00 Add to Cart Added
Exat CYR Wide Extra Light
€90.00 Add to Cart Added
Exat CYR Wide Light
€90.00 Add to Cart Added
Exat CYR Wide Regular
€90.00 Add to Cart Added
Exat CYR Wide Medium
€90.00 Add to Cart Added
Exat CYR Wide Bold
€90.00 Add to Cart Added
Exat CYR Wide Extra Bold
€90.00 Add to Cart Added
Exat CYR Wide Black
€90.00 Add to Cart Added

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Exat

Design Concept

Inspired by EXAT 51’s artistic and architectural endeavors, this typeface features clean lines and structural clarity. The Exat typeface captures the very essence of modernist ideas, striking a harmonious balance between form and function. Exat is inarguably our most ambitious release yet, offering the user total control in choosing the right type—fit for any situation. Visit Exat microsite for full experience.

PDF Specimen

The PDF contains information, specimens of the type including further settings of more languages, features, character sets, all in one document. If you’re a bit old school you can even print it. Download it here.

A compound of the abbreviation of the term “Experimental Atelier” and the year in which its members officially formed a collective, EXAT 51 was a prolific and pioneering group of Croatian architects and artists. They came together to promote abstract art and contemporary communication with the desire to establish a model of Total Design. Ivan Picelj, a world-renowned Croatian artist and designer, was among its most prominent members. He not only co-founded EXAT 51 but was also a crucial contributor to the New Tendencies, an international movement during the 1960s.

Ivan Picelj - “Edition a” 1964. Issue No. 6 (Dimitrije Bašičević Mangelos)

In 1962, Picelj initiated a series of his self-published “Edition a” art booklets, having released a total of seven publications up until 1964. Each issue of “Edition a” featured the work of one artist—mostly of a colleague whose work he admired. On top of that, Picelj designed, edited, and printed these all by himself. The visually most striking part of these 16×16 cm booklets was their covers, which featured the lowercase letter “a”, silk-screened in a different, vibrant color for each of these issues. The letter itself appears to be a modified version of Helvetica, a tremendously popular typeface during that period.

Ivan Picelj: Poster for New Tendencies 2 (1963).
Ivan Picelj: Poster for New Tendencies 3 (1965).

Concurrently, most European designers of that time sought clarity and visual unity, making modernism a powerful force in global graphic design, with its influence being palpable even today. Propelled by the work of Swiss masters—like Josef Müller-Brockmann, Armin Hofmann, and Emil Ruder—and the widespread use of the Helvetica typeface, modernism swiftly conquered the world, later even bearing the name International Style. The resulting designs were eclectic, vibrant, and infused with modernist energy. In large part thanks to Picelj, who “brought Helvetica to Croatia”, this style was cherished locally as well, putting Zagreb and Croatia on the International Style map.

EXAT 51: Aleksandar Srnec, Ivan Picelj, Vlado Kristl and Božidar Rašica at Picelj’s apartment/studio. 1953.
Photo: Ivan Picelj Archive and Library.

The Exat typeface captures the very essence of modernist ideas, striking a harmonious balance between form and function, whilst being aimed at contemporary users. It undeniably references one of the most popular typefaces of all time, all while incorporating extraordinary width and weight options in a robust character set. Exat supports Latin and Cyrillic scripts—covering more than 430 languages—and includes features and stylistic sets inspired by local Croatian graphic design quirks, such as modified thin accents.

Typical custom thin diacritics by Mihajlo Arsovski, 1970.
Typical custom thin diacritics by Mihajlo Arsovski, 1970.

What’s specific to this design is that it started as a redrawing of a single letter “a” and the desire to craft a typographic world around it. We wanted to construct a typeface that would bear witness to the local story of our homeland, but also be used by creatives all around the world, without necessarily having to know how it came to be. Exat is inarguably our most ambitious release yet, offering the user total control in choosing the right type—fit for any situation.

Exat B1 poster, silkscreened in 8 bright colors. Designed By Studio Size & Hot Type. Print production by Lunch Press. 2025.

Language Support

Abaza, Abron, Abua, Acheron, Achinese, Acholi, Achuar-Shiwiar, Adamawa Fulfulde, Adangme, Adyghe, Afar, Afrikaans, Aghul, Aguaruna, Ahtna, Akoose, Alekano, Aleut, Amahuaca, Amarakaeri, Amis, Anaang, Andaandi, Dongolawi, Angas, Anufo, Anuta, Arabela, Aragonese, Arbëreshë Albanian, Archi, Asháninka, Ashéninka Perené, Asturian, Atayal, Avaric, Awa-Cuaiquer, Awing, Baatonum, Bafia, Bagirmi Fulfulde, Balante-Ganja, Balinese, Balkan Romani, Bambara, Banjar, Baoulé, Bari, Basque, Bassari, Batak Dairi, Batak Karo, Batak Mandailing, Batak Simalungun, Batak Toba, Belarusian, Bemba (Zambia), Bena (Tanzania), Bezhta, Biali, Bikol, Bini, Bislama, Boko (Benin), Bomu, Bora, Borana-Arsi-Guji Oromo, Borgu Fulfulde, Bosnian, Breton, Budukh, Buginese, Bulgarian, Bushi, Candoshi-Shapra, Caquinte, Caribbean Hindustani, Cashibo-Cacataibo, Cashinahua, Catalan, Cebuano, Central Aymara, Central Kurdish, Central Nahuatl, Central-Eastern Niger Fulfulde, Cerma, Chachi, Chamalal, Chamorro, Chavacano, Chayahuita, Chechen, Chiga, Chiltepec Chinantec, Chinese Buriat, Chokwe, Chuukese, Cimbrian, Cofán, Cook Islands Māori, Cornish, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dargwa, Dehu, Dido, Dimli, Duala, Dungan, Dutch, Dyan, Dyula, Eastern Arrernte, Eastern Maninkakan, Eastern Oromo, Efik, English, Erzya, Fanti, Faroese, Fijian, Filipino, Finnish, French, Friulian, Ga, Gagauz, Galician, Ganda, Garifuna, German, Gheg Albanian, Gilbertese, Gonja, Gooniyandi, Gourmanchéma, Guadeloupean Creole French, Gusii, Haitian, Halh Mongolian, Hani, Hausa, Hiligaynon, Hopi, Huastec, Hungarian, Hän, Ibibio, Icelandic, Idoma, Igbo, Iloko, Inari Sami, Indonesian, Ingush, Irish, Istro Romanian, Italian, Ixcatlán Mazatec, Jamaican Creole English, Japanese, Javanese, Jenaama Bozo, Jola-Fonyi, Judeo-Tat, K’iche’, Kabardian, Kabuverdianu, Kaingang, Kako, Kala Lagaw Ya, Kalaallisut, Kalenjin, Kalmyk, Kamba (Kenya), Kaonde, Kaqchikel, Karachay-Balkar, Karata, Karelian, Kashubian, Kazakh, Kekchí, Kenzi, Mattokki, Khasi, Khinalugh, Kikuyu, Kimbundu, Kinyarwanda, Kirghiz, Kirmanjki, Kituba (DRC), Kom (Cameroon), Kongo, Konzo, Koyraboro Senni Songhai, Krio, Kumyk, Kven Finnish, Kölsch, Ladin, Ladino, Lak, Latgalian, Lezghian, Lingala, Lithuanian, Lombard, Low German, Lower Sorbian, Lozi, Luba-Lulua, Lule Sami, Luo, Luxembourgish, Maasina Fulfulde, Macedo-Romanian, Macedonian, Madurese, Makonde, Malagasy, Malaysian, Maltese, Mam, Mamara Senoufo, Mandinka, Mandjak, Mankanya, Manx, Maore Comorian, Maori, Mapudungun, Marshallese, Matsés, Mauritian Creole, Mende (Sierra Leone), Meriam Mir, Meru, Metlatónoc Mixtec, Mezquital Otomi, Mi’kmaq, Minangkabau, Mirandese, Mizo, Mohawk, Moksha, Mongolian Buriat, Montenegrin, Montenegrin, Munsee, Murrinh-Patha, Murui Huitoto, Muslim Tat, Muslim Tat, Mwani, Ménik, Mískito, Naga Pidgin, Ndonga, Neapolitan, Ngazidja Comorian, Nigerian Fulfulde, Niuean, Nobiin, Nogai, Nomatsiguenga, Noon, North Azerbaijani, North Ndebele, Northern Kissi, Northern Kurdish, Northern Qiandong Miao, Northern Sami, Northern Uzbek, Norwegian, Nyamwezi, Nyanja, Nyankole, Nyemba, Nzima, Occitan, Ojitlán Chinantec, Orma, Oroqen, Otuho, Palauan, Pampanga, Papantla Totonac, Papiamento, Paraguayan Guaraní, Pedi, Picard, Pichis Ashéninka, Piemontese, Pijin, Pintupi-Luritja, Pipil, Pite Sami, Pohnpeian, Polish, Portuguese, Potawatomi, Pulaar, Purepecha, Páez, Quechua, Romanian, Romansh, Rotokas, Rundi, Russian Buriat, Russian, Rusyn, Rutul, Saafi-Saafi, Samoan, Sango, Sangu (Tanzania), Saramaccan, Sardinian, Scots, Scottish Gaelic, Secoya, Sena, Serbian, Serbian (Cyrillic), Seri, Seselwa Creole French, Sharanahua, Shawnee, Shilluk, Shipibo-Conibo, Shona, Shuar, Shughni, Sicilian, Silesian, Siona, Slovak, Slovenian, Soga, Somali, Soninke, South Azerbaijani, South Ndebele, Southern Aymara, Southern Bobo Madaré, Southern Dagaare, Southern Qiandong Miao, Southern Sami, Southern Sotho, Spanish, Sranan Tongo, Standard Estonian, Standard Latvian, Standard Malay, Sundanese, Susu, Swahili, Swedish, Swiss German, Syenara Senoufo, Tabassaran, Tagalog, Tahitian, Tajik, Talysh, Tatar, Tedim Chin, Tetum, Tetun Dili, Timne, Tiéyaxo Bozo, Tlingit, Toba, Tok Pisin, Tokelau, Tonga (Tonga Islands), Tonga (Zambia), Tosk Albanian, Tsakhur, Tumbuka, Turkish, Turkmen, Tuvalu, Tuvinian, Twi, Tzeltal, Tzotzil, Uab Meto, Ukrainian, Umbundu, Ume Sami, Upper Guinea Crioulo, Upper Sorbian, Venetian, Veps, Vietnamese, Vlax Romani, Võro, Walloon, Walser, Wamey, Waray (Philippines), Warlpiri, Wasa, Wayuu, Welsh, West Central Oromo, West-Central Limba, Western Abnaki, Western Frisian, Western Niger Fulfulde, Wiradjuri, Wolof, Xhosa, Yagua, Yanesha’, Yao, Yoruba, Yucateco, Zapotec, Zarma, Zulu, Zuni, Záparo

Credits & details

Year published: 2025
Type design: Mihael Šandro & Marko Hrastovec
Font mastering: Guido Ferreyra
Cover image & campaign: Size Studio
Text: Krešimir Bobaš

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